William Blake

1757-1827


About Blake
Songs of Innocence and Experience

Songs of Innocence
"Holy Thursday"
"The Chimney Sweeper"
"The Lamb"
"The Divine Image"

Songs of Experience
"Holy Thursday"
"The Chimney Sweeper"
"The Tyger
"The Human Abstract"

Analysis of Companion Poems
"Holy Thursday"
"The Chimney Sweeper"
"The Lamb" and "The Tyger"
"The Divine Image" and "The Human Abstract"

Links to Other Pages




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William Blake

William Blake was a transitional figure in British literature. He was the one of the first writers of the "Romantic Period." Before this period, most writers, such as Alexander Pope, wrote more for form instead of for content. Blake, on the other hand, turned back to Elizabethan and early seventeenth-century poets, and other eighteenth- century poets outside the tradition of Pope.

Blake was not always a poet. In fact, his only formal training was in art. At the age of ten, he entered a drawing school. He later studied at the Royal Academy of Arts. Blake became an apprentice under James Basire, a well-known engraver, at the age of fourteen and remained his apprentice for seven years. Blake found that he had quite a bit of free time. During this time, he read and soon began to try writing poetry.

In 1788, at the age of thirty-one, Blake began to experiment with relief etching, which was the method used to produce most of his books of poems. He called this method "illuminated printing." He wrote the text of his poems on copper plates with pens and brushes, using an acid-resistant medium. The illustrations were also drawn onto the plates. He then etched the plates in acid in order to eat away the untreated copper and leave the design standing. The pages printed from these plates then had to be colored by hand in water colors and stiched together to make up a volume. Blake used illuminated printing for four of his works. These included "Songs of Innocence and Experience," "The Book of Thel," "The Marriage of Heaven and Hell," and "Jerusalem."




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Songs of Innocence and Experience

"Songs of Innocence and Experience" was written by Blake in the 1790s. The main theme of the poems in this work came from Blake's belief that children lost their "innocence" as they grew older and were influenced by the ways of the world. Blake believed that children were born innocent. They grew to become experienced as they were influenced by the beliefs and opinions of adults. When this happened, they could no longer be considered innocent. The poems from "Songs of Innocence" were written from an innocent child's perspective. Those from "Songs of Experience" were written from the perspective of a more experienced person who had seen all of the evil in the world and had, in a way, become bitter towards it.



Excerpts from "Songs of Innocence and Experience"




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Holy Thursday(Songs of Innocence)

'Twas on a Holy Thursday, their innocent faces clean,
The children walking two & two, in red & blue & green,
Grey-headed beadles walk'd before, with wands as white as snow,
Till into the high dome of Paul's they like Thames' waters flow.

O what a multitude they seem'd, these flowers of London town!
Seated in companies they sit with radiance all their own.
The hum of multitudes was there, but multitudes of lambs,
Thousands of little boys & girls raising their innocent hands.

Now like a mighty wind they raise to heaven the voice of song,
Or like harmonious thunderings the seats of heaven among.
Beneath them sit the aged men, wise guardians of the poor;
Then cherish pity, lest you drive an angel from your door.




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Holy Thursday(Songs of Experience)

Is this a holy thing to see,
In a rich and fruitful land,
Babes reducd to misery,
Fed with cold and usurous hand?

Is that trembling cry a song!
Can it be a song of joy?
And so many children poor,
It is a land of poverty!

And their sun does never shine.
And their fields are bleak & bare.
And their ways are fill'd with thorns
It is eternal winter there.

For where-e'er the sun does shine,
And where-e'er the rain does fall:
Babe can never hunger there,
Nor poverty the mind appall.




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Analysis of "Holy Thursday"

"Holy Thursday" in "Songs of Innocence" was written in 1789. The poem describes the English church's celebration of Jesus's ascension which takes place on a Thursday 39 days after Easter. On this day, children from the charity schools of London were marched to a service at St. Paul's Cathedral. The beadles of the church were lower officers who were in charge of keeping order. In the last stanza of the poem, the children are singing in the balcony and the "aged men" are seated below them. The last line, "Then cherish pity, lest you drive an angel from your door." is an allusion to Hebrews 13:2, "Be not forgetful to entertain strangers: for thereby some have entertained angels unawares." This poem gives the reader a portrayal of the children as angelic.

"Holy Thursday" from "Songs of Experience" was written in 1794. This poem is also about the English church's ceremony on Holy Thursday, but the tone is a bit more depressing. The last line of the second stanza, "It is eternal winter there," is describing how they see the ceremony from their experienced point of view. This is very different from the image created in "Holy Thursday" of "Songs of Innocence." The last stanza of the poem adds to the analogy of the ceremony to winter by saying that when the sun shines and the rain falls, there can never be hunger or poverty. Obviously, the sun doesn't shine and the rain doesn't fall in winter, which means that, according to this poem, there is hunger and poverty among the children; a much different image from the one seen in its companion poem.




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The Chimney Sweeper(Songs of Innocence)

When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry " 'weep! 'weep! 'weep! 'weep!"
So your chimneys I sweep & in soot I sleep.

There's little Tom Dacre, who cried when his head,
That curl'd llke a lamb's back. was shav'd: so I said
"Hush. Tom! never mind it, for when your head's bare
You know that the soot cannot spoil your white hair."

And so he was quiet & that very night,
As Tom was a-sleeping, he had such a sight!
That thousands of sweepers, Dick, Joe, Ned or Jack.
Were all of them lock'd up in coffins of black.

And by came an Angel who had a bright key,
And he open'd the coffins & set them all free;
Then down a green plain leaping, laughing, they run,
And wash in a river. and shine in the Sun.

Then naked & white, all their bags left behind,
They rise upon clouds and sport in the wind;
And the Angel told Tom, if he'd be a good boy,
He'd have God for his father & never want joy.

And so Tom awoke; and we rose in the dark.
And got with our bags & our brushes to work.
Tho' the morning was cold, Tom was happy & warm;
So if all do their duty they need not fear harm.




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The Chimney Sweeper(Songs of Experience)

A little black thing among the snow:
Crying weep, weep, in notes of woe!
Where are thy father & mother! say!
They are both gone up to the church to pray.

Because I was happy upon the heath,
And smil'd among the winters snow:
They clothed me in the clothes of death,
And taught me to sing the notes of woe.

And because I am happy, & dance & sing,
They think they have done me no injury:
And are gone to praise God & his Priest & King
Who make up a heaven of our misery.




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Analysis of "The Chimney Sweeper"

William Blake wrote "The Chimney Sweeper" of "Songs of Innocence" in 1789. In the next to last line of the first stanza, the cry "'weep! 'weep! 'weep! 'weep!" is the child's attempt at saying "Sweep! Sweep!," which was the chimney sweeper's street cry. This poem shows that the children have a very positive outlook on life. They make the best of their lives and do not fear death.

This is quite the opposite in it's companion poem in "Songs of Experience" which was written in 1794. In this poem, the child blames his parents for putting him in the position he was in. He is miserable in his situation and he also blames "God & his Priest & King". This point of view is different from that of its companion poem because the chimney sweeper has been influenced by society and has an "experienced" point of view.




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The Lamb(Songs of Innocence)

Little Lamb, who made thee?
Dost thou know who made thee?
Gave thee life & bid thee feed,
By the stream & o'er the mead;
Gave thee clothing of delight,
Softest clothing, wooly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little Lamb, who made thee?
Dost thou know who made thee?

Little Lamb, I'll tell thee,
Little Lamb, I'll tell thee:
He is called by thy name,
For he calls himself a Lamb.
He is meek & he is mild;
He became a little child.
I a child & thou a lamb.
We are called by his name.
Little Lamb, God bless thee!
Little Lamb, God bless thee!




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The Tyger(Songs of Experience)

Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry

In what distant deeps or skies.
Burnt the fire of thine eyes!
On what wings dare he aspire?
What the hand, dare sieze the fire!

And what shoulder, & what art.
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand! & what dread feet!

What the hammer! what the chain,
In what furnace was thy brain
What the anvil, what dread grasp,
Dare its deadly terrors clasp!

When the stars threw down their spear
And water'd heaven with their tears:
Did he smile his work to see
Did he who made the Lamb make thee!

Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry!




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Analysis of "The Lamb" and "The Tyger"

"The Lamb" from "Songs of Innocence" is a very symbolic poem. The lamb in the poem can symbolize innocence, serenity, a child, Jesus, or sacrifice. The poem gives credit to God for making such a beautiful being as the lamb.

It's companion poem in "Songs of Experience", "The Tyger," on the other hand, contains a different perspective of human life. The tyger could be compared to an "experienced" human. The tyger is described as an animal that basically has to kill everyday in order to live. It is a being whose life is made by death. The question is asked "What immortal hand or eye dare frame thy fearful symmetry?" The "experienced" author is asking why God dared to make humans the way that they are, the way of the tyger. This, of course, is differs greatly from the perspective of the "innocent" author of "The Lamb."




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The Divine Image(Songs of Innocence)

To Mercy, Pity, Peace, and Love
All pray in their distress;
An to these virtues of delight
Return their thankfulness.

For Mercy, Pity, Peace, and Love
Is God, our father dear,
And Mercy, Pity, Peace, and Love
Is Man, his child and care.

For Mercy has a human heart,
Pity a human face,
And Love, the human form divine,
And Peace, the human dress.

Then every man, of every dime
That prays in his distress,
Prays to the human form divine,
Love, Mercy, Pity, Peace.

And all must love the human form,
In heathen, turk, or jew;
Where Mercy, Love & Pity dwell
There God is dwelling too.




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The Human Abstract(Songs of Experience)

Pity would be no more,
If we did not make somebody Poor:
And Mercy no more could be,
If all were as happy as we;

And mutual fear brings peace;
Till the selfish loves increase.
Then Cruelty knits a snare,
And spreads his baits with care.

He sits down with holy fears,
And waters the ground with tears:
Then Humility takes its root
Underneath his foot.

Soon spreads the dismal shade
Of Mystery over his head;
And the Catterpiller and Fly,
Feed on the Mystery.

And it bears the fruit of Deceit,
Ruddy and sweet to eat;
And the Raven his nest has made
In its thickest shade.

The Gods of the earth and sea,
Sought thro' Nature to find this Tree
But their search was all in vain:
There grows one in the Human Brain




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Analysis of "The Divine Image" and "The Human Abstract"

"The Divine Image" of "Songs of Innocence" attributes the virtues of Mercy, Pity, Peace, and Love to the human form. It also gives God all of the glory for the creation of the human in his own form. This can be seen in the last two lines of the poem, "Where Mercy, Love, and Pity dwell, There God is dwelling too."

The companion poem of "The Divine Image" in "Songs of Experience" had the same title, but it only appeared in one copy of "Songs of Innocence and Experience." Many believe that this is because Blake thought that a better companion poem for "The Divine Image" would be "The Human Abstract"

"The Human Abstract" also attributes Pity and Mercy to the human form. However, it also implies that humans only have these characteristics through the poverty or unhappiness of others. It also says that humans have traits of Cruelty, Mystery, and Deceit. According to the poem, they also have Humility, but only because they have "holy fears." According to the poem, the characteristics of mankind are all there because of selfishness and self-absorption. This is quite a change from the point of view of "The Lamb," which praises the human form. The "experienced" author of "The Human Abstract" has seen how people really are. Through experience of hard times and wrong-doings, his perspective of everything has changed to something very far from his once innocent point of view. P>




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For More Information on William Blake:


The William Blake Page

Visual Art by Blake

Analysis of Blake's Poem

Page by Leah Shannon
Arkansas School for Mathematics and Sciences